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Adam and Eve cylinder seal
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Adam and Eve cylinder seal : ウィキペディア英語版
Adam and Eve cylinder seal
The Adam and Eve cylinder seal, also known as the 'Temptation seal' is a small stone cylinder of Post-Akkadian origin, dating from about 2200 to 2100 BCE. The seal depicts two seated figures, a tree, and a serpent, and was formerly believed to evince some connection with Adam and Eve from the Book of Genesis; however, this interpretation has been challenged by specialists.
==History==
Cylinder seals are small cylinders, usually made of stone and pierced from end-to-end. They are designed to be worn on a string or on a pin.
Designs are carved into the surface of cylinders seals in intaglio, so that when rolled on clay, the cylinder leaves a continuous imprint of the design, reversed and in relief. Cylinder seals originate from southern Mesopotamia (now Iraq) or south-western Iran. They were invented around 3500 BC, and were used as an administrative tool, as magical amulets and jewellery and as until around 300 BC. They are linked to the invention of cuneiform writing on clay; when this spread to other areas of the Near East, the use of cylinder seals spread as well.
Assyriologist George Smith (1840–1876) described the Adam and Eve seal as having two figures (male and female) on each side of a tree, holding out their hands to the fruit, while between the backs of the figures is a serpent, giving evidence that the Fall of man legend was known in early times of Babylonia.
〔(【引用サイトリンク】url=http://www.britishmuseum.org/explore/highlights/article_index/m/mesopotamian_cylinder_seals.aspx )
The cylinder seal has been said to carry a nostalgic context, while also representing real combat.
In 1932, E. A. Speiser from the University Museum of Pennsylvania discovered a seal near Nineveh.
He came to the realization that the seal came from about 3500 B.C. He also linked the seal to the story of Adam and Eve, due to the depiction of a naked man and woman, behind a serpent.
In a famous lecture by Friedrich Delitzch, he claims that on the seal with a picture of a man and woman sitting with their arms stretched towards fruit including a serpent behind the woman, represents the story of Genesis. However, a more proper analysis by Domonique Collin suggests otherwise due to its post-Akkadian art which dates back to 2192-2004 B.C.E. She argues that the Adam and Eve picture could also resemble an Akkadian banquet scene, due to some features like the serpent—which could be the snake god, Nirah.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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